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During her 20-plus years as host of public radio's "On Being" show which aired on some 400 stations across the country Krista Tippett and her beautifully varied slate of guests . reading skills. Limn: Because I love this poem, and no one has ever asked me to read this poem. [laughter] Sometimes its just staring out the window. But the song didnt mean anything, just a call On Being with Krista Tippett | 5 minute podcast summaries on Apple . SHARE 'It's a hard time in the life of the world' a conversation with Krista Tippett. Im really glad youre enjoying it because theres many more decades. And I would just have these whole moments when people would be like, Oh, and then well meet in person. And I was like, , I dont want you to witness my body. Black bark, slick yellow leaves, a kind of stillness that feels, We point out the stars that make Orion as we take out. Ada Limn is the 24th Poet Laureate of the United States. And coming in future weeks, is a conversation with a technologist and artist named James Bridle, whose point is that language itself, the sounds we made and the words we finally formed, and the imagery and the metaphors were all primally, organically rooted in the natural world of which we were part. I wrote in my notes, just my little note about what this was about, recycling and the meaning of it all. I dont think thats . And actually, it seemed to me that your marriage was in fine shape. And one of them this is also on The Hurting Kind is Lover, which is page 77. Shes written, Science polishes the gift of seeing, Indigenous traditions work with gifts of listening and language. An expert in moss a bryologist she describes mosses as the coral reefs of the forest. Robin Wall Kimmerer opens a sense of wonder and humility for the intelligence in all kinds of life we are used to naming and imagining as inanimate. nest rigged high in the maple. Before I bury him, I snap a photo and beg, my brother and my husband to witness this, nearly clear body. Youre very young. Who am I to live? Right? [Music: Seven League Boots by Zo Keating]. for all its gross tenderness, a joke told in a sunbeam. Tippett: Yeah. capture, capture, capture. We know joy to be a life-giving, resilience-making human birthright. We can forget this. But I love it. Editor's note: This Q&A has been adapted from the podcast "Interfaith America with Eboo Patel.". is the 24th Poet Laureate of the United States. And I think most poets are drawn to that because it feels like what were always trying to do is say something that cant always entirely be said, even in the poem, even in the completed poem. The thesis is still the wind. The thesis is still a river. The thesis has never been exile., Limn: Yeah. And then to do it on top of really global grief, that is a very kind of different work because then you think, Well, who am I to look at this flower? And that is so much more present with us all the time. I write. And then it hits you or something you, like you touch a doorknob, and it reminds you of your mothers doorknob. Shes written six books of poetry, most recently, won the National Book Critics Circle Award for Poetry, and her volume, . Dacher Keltner and his Greater Good Science Center at Berkeley have been pivotal in this emergence. love it again, until the song in your mouth feels But instead to really have this moment of, Oh, no, its our work together to see one another. Sylvia gifts us this teaching: that nurturing childrens inner lives can be woven into the fabric of our days and that nurturing ourselves is also good for the children and everyone else in our lives. a certain light does a certain thing, enough would happen if we decided to survive more? teeth right before they break Can you locate that? Why dont you read The Quiet Machine? But when we talk about the limitations of language in general, I find language is so strange. And it feels important to me whenever Im in a room right now and I havent been in that many rooms with this many people sitting close together that we all just acknowledge that even if we all this exact same configuration of human beings had sat in this exact room in February 2020, and were back now, were changed at a cellular level. These full-body experiences of isolation and ungrieved losses and loneliness and fear and uncertainty. And now Tippett has done it again. Theres how I stand in the lawn, thats one way. And I was having this moment where I kept being like, Well, if I just deeply look at the world like I do, as poets do, I will feel a sense of belonging. Many of us were having different experiences. And then you go, Oh no, no, thats just recycling. So thats in the poem. You said a minute ago that the poetry has breath built into it, and you said also that, you have said: its meant to make us breathe. You said there in a place, as Ive aged, I have more time for tenderness, for the poems that are so earnest they melt your spine a little. We are in the final weeks as On Being evolves to its next chapter in a world that is evolving, each of us changed in myriad ways weve only begun to process and fathom. So its a very special place. I think its definitely a writing prompt too, right? Only my head is for you. Tippett: Maybe that speaks for itself. SHARE. Harley at seven years old. The original idea, when we say like our, thesis statement, or even when we say like. Ada Limn. We want to rise to what is beautiful and life-giving. Theres daytime silent when I stare, and nighttime silent when I do things. Tippett: So the poem you wrote, Joint Custody. You get asked to read it. And I remember sitting on my sofa where I spent an inordinate amount of time, and reading it. , which was a couple of years before that, certainly pre-pandemic, in the before times, was the way you wrote, a way that you spoke of the same story of yourself. All right. Tippett: So at this point in my notes, I have three words in bold with exclamation points. Science and the Human Spirit. Join our constellation of listening and living. And Im sure it does for many of you, where you start to think about a phrase or a word comes to you and youre like, Is that a word? Youre like, With. And thought, How am I right now at this moment? Okay. The Pause is our Saturday morning ritual of a newsletter. Amidst all of the perspectives and arguments around our ecological future, this much is true: we are not in the natural world we are part of it. And it was just me, the dog, and the cat, and the trees. And I know that when I discovered it for myself as a teenager that I thought, Oh, this is more like music where its like something is expressing itself to you and you are expressing yourself to it. I really love . Youre very young. And then I would be like, Okay, I was there. And the next day Id wake up and be like, Well, I was there yesterday. But if you look at even the letters we use in our the A actually was initially a drawing of an ox, and M was water. [audience laughs] And he had a little cage, I would make sure he was And he would get bundled up and carried from house to house. Tippett: Look at all these people. Thats how this machine works. Oh, Im stressed. Oh, if you want to know about stress, let me tell you, Im stressed., I like to tell my friends when they say theyre really stressed, Ill be like, Oh, I took the most wonderful nap. Her six books of poetry include, most recently, won the National Book Critics Circle Award for Poetry, and her book. So it was always this level in which what was being created and made as he was in my life was always musical. And even as it relieves us of the need to sum everything up. Just the title of this, I feel is such an invitation and not the kind of invitation that was being made. maybe dove, maybe dunno to be honest, too embryonic, too see-through and wee. Theres whole books about how to breathe. And were at a new place, but we have to carry and process that. We read for sense. When you find a song or you find something and you think, This. And so I have. Was there a religious or spiritual background in your childhood there, however you would describe that now? Limn: Yeah. We want to orient towards that possibility. This might be hard for some of you right here. Page 40. cigarette smoke or expertise in recipes or, reading skills. The Fetzer Institute, supporting a movement of organizations applying spiritual solutions to societys toughest problems. enough of the animal saving me, enough of the high The thesis has never been exile. Yeah, I think theres so much value in grief. The On Being Project a need to nestle deep into the safekeeping of sky. We touch each other. And I feel like its very interesting when you actually have to get away from it, because you can also do the other thing where you focus too much on the breath. And the one Id love you to read is Not the Saddest Thing in the World. This is the one where I felt like theres subtlety to it, but you just named so much in there. We are in the final weeks as On Being evolves to its next chapter in a world that is evolving, each of us changed in myriad ways weve only begun to process and fathom. But I think you are a prodigy for growing older and wiser. And it wasnt until really, when I was writing that poem that the word came to me. We have been in the sun. I have decided that Im here in this world to be moved by love and [to] let myself be moved by beauty. Which is such a wonderful mission statement. And that there was this break when we moved from pictographic language, which is characters which directly refer to the things spoken, and when we moved to the phonetic alphabet. And I was feeling very isolated. And enough so that actually, as I would always sort of interrogate her about her beliefs and, Do you think this, do you think that? of the kneeling and the rising and the looking If you had thought about it And you said that this would be the poem that would mean that you would never be Poet Laureate. But its true. A friend, lover, come back to the five-and-dime. Yeah. Musings and tools to take into your week. A special offering from Krista Tippett and all of us at On Being: an incredible, celebratory event listening back and remembering forwards across 20 years of this show in the good company of our beloved friend and former guest, Rev. Special thanks this week to Daniel Slager, Yanna Demkiewicz, and Katie Hill at Milkweed Editions. This is a moving and edifying conversation that is also, not surprisingly, a lot of fun. into an expansion, a heat. I think there are things we all learned also. Yeah. I think that there is a lot about trying to figure out who we are with ourselves. Our lovely theme music is provided and composed by Zo Keating. And yet at the same time, I do feel like theres this Its so much power in it. So how to get out? We live in a world in love with the form of words that is an opinion and the way with words that is an argument. "Right now we are in a fast river together every day there are changes that seemed unimaginable until they occurred." adrienne maree brown and others use many . like water, elemental, and best when its humbled, Return like a word, long forgotten and maligned. water, enough sorrow, enough of the air and its ease, And so thats really a lot of how I was raised. its like staring into an original I also think aging is underrated. and gloss. Find many great new & used options and get the best deals for Becoming Wise: An Inquiry into the Mystery and the Art of Living by Krista Tippe at the best online prices at eBay! I do feel like you were one of the people who was really writing with care and precision and curiosity about what we were going through. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. Its Spanish and English, and Im trying, and Ill look at him and be like, How much degrees is it?. And I was feeling very isolated. Limn: Oh, definitely. red helmet, I rode So would you read, its called Before, page 46. In 2014, Tippett was awarded the National Humanities Medal by U.S. President Barack Obama . And then it hits you or something you, like you touch a doorknob, and it reminds you of your mothers doorknob. I think its very dangerous not to have hope. And this poem was basically a list of all the poems I didnt think I could write, because it was the early days of the pandemic, and I kept thinking, just that poetry had kind of given up on me, I guess. Krista Tippett leaves public radio. podcast, this great poetry podcast for a while and. Thats the work of poetry in general, right? Yeah. All right. So, On Preparing the Body for a Reopened World.. Krista interviewed her in 2015, and it quickly became a much-loved show as her voice was just rising in common life. To be swallowed It feels important to me, right now, because I want to talk to you about this a little bit, what weve been through. And I think its in that category. are your bones, and your bones are my bones, Youre never like, Oh, Im just done grieving. I mean, you can pretend you are, right, but we arent. No shoes and a glossy and the one that is so relieved to finally be home. recycling bin until you say, Man, we should really learn So I think thats where, for me, I found any sort of sense of spirituality or belonging. And just as there are callings for a life, there are callings for our time. Actually, thats in. And there was an ease, I think, that living in the head-only world was kind of a poets dream on some level. Yeah. between us there was the road And I think most poets are drawn to that because it feels like what were always trying to do is say something that cant always entirely be said, even in the poem, even in the completed poem. 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